[ he knows why she's not turning around. She's right. Johnny wouldn't shoot her in the back like this unprovoked, but that's a thin line to cross, given the circumstances. Still, the gesture is a double-edged one: certainly, it shows she doesn't trust him, but it also shows that she doesn't want the others to find him (or them) in here, which means that she does. Johnny can't say he doesn't understand that, either. ]
You know I can't tell you that.
[ it's dangerous. The fact that she's seeing him here is dangerous. Truth be told, he should just leave - he's collected the information he wanted, if not the answer he hoped for, and getting in and out without someone trying to kill him is, frankly, the best possible outcome. He glances behind him, briefly, then back at Gray, pressing his lips into a thin line.
It just doesn't feel right to leave her here. ]
... This is no place for a nice kid. [ a beat. ] Are you here 'cause you want to be, or because you're supposed to be...?
no subject
You know I can't tell you that.
[ it's dangerous. The fact that she's seeing him here is dangerous. Truth be told, he should just leave - he's collected the information he wanted, if not the answer he hoped for, and getting in and out without someone trying to kill him is, frankly, the best possible outcome. He glances behind him, briefly, then back at Gray, pressing his lips into a thin line.
It just doesn't feel right to leave her here. ]
... This is no place for a nice kid. [ a beat. ] Are you here 'cause you want to be, or because you're supposed to be...?