[ Is this really what she should be fixating on, at this moment? Probably not, but she can't help but feel (perhaps immaturely) offended at being talked to in such a way, her outburst coming out through the connection before she can stop it. Her bloody hand goes tighter around her shard, and honestly, the sheer feeling of frustration helps in distracting her from the pain still tearing through her left leg. In contrast to Caitlyn's calm, Misa's hot irritation bleeds through nice and clear over their mental connection, and most prominently, in her tight voice.
If she can set the pain aside, she can think about this rationally. Or, as rationally as she can manage. What the girl says isn't lost on her— that she knows about the nature of Misa's ability, and of course isn't going to fall for any silly tricks, like the good-old-fashioned waterworks. Better to know all this at the beginning, annoying as this communion call is. Rash as her question had been, it's as Caitlyn says— they both know why the other is here, and why each is attacking.
This must all be part of some larger plan - designed to get herself and Howl out of the way, she realizes. For a brief moment, she wonders if she shouldn't have just retreated back into the building, in attempt to help fend off the Pleromas who are very likely storming the castle at this very moment. But... she has to trust that those inside are strong enough to handle this on their own. She'd likely only get in their way. She needs to focus on helping Howl.... ]
Fine then, I'll find you myself. If you thought I'd give up after one dirty trick, you've got another thing coming, lady!
[ Shortly before the message even finishes coming over communion, there'll be a real sound of glass shattering— which comes from Misa throwing a heavy stone into a low, squared window of an adjacent building to the prison, which sits a short diagonal distance away from the corner she's currently hiding behind. As the prison sits in the dead center of the downtown Godsblood, there are plenty of buildings to slip into and between, which she's sure her enemy is using as an advantage, herself. With all the adrenaline and blind courage Misa can muster, she makes a bolt for the cover of that second building, keeping her hands over her head and trying to keep her figure as small as possible as she makes for the opening in the window. ]
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[ Is this really what she should be fixating on, at this moment? Probably not, but she can't help but feel (perhaps immaturely) offended at being talked to in such a way, her outburst coming out through the connection before she can stop it. Her bloody hand goes tighter around her shard, and honestly, the sheer feeling of frustration helps in distracting her from the pain still tearing through her left leg. In contrast to Caitlyn's calm, Misa's hot irritation bleeds through nice and clear over their mental connection, and most prominently, in her tight voice.
If she can set the pain aside, she can think about this rationally. Or, as rationally as she can manage. What the girl says isn't lost on her— that she knows about the nature of Misa's ability, and of course isn't going to fall for any silly tricks, like the good-old-fashioned waterworks. Better to know all this at the beginning, annoying as this communion call is. Rash as her question had been, it's as Caitlyn says— they both know why the other is here, and why each is attacking.
This must all be part of some larger plan - designed to get herself and Howl out of the way, she realizes. For a brief moment, she wonders if she shouldn't have just retreated back into the building, in attempt to help fend off the Pleromas who are very likely storming the castle at this very moment. But... she has to trust that those inside are strong enough to handle this on their own. She'd likely only get in their way. She needs to focus on helping Howl.... ]
Fine then, I'll find you myself. If you thought I'd give up after one dirty trick, you've got another thing coming, lady!
[ Shortly before the message even finishes coming over communion, there'll be a real sound of glass shattering— which comes from Misa throwing a heavy stone into a low, squared window of an adjacent building to the prison, which sits a short diagonal distance away from the corner she's currently hiding behind. As the prison sits in the dead center of the downtown Godsblood, there are plenty of buildings to slip into and between, which she's sure her enemy is using as an advantage, herself. With all the adrenaline and blind courage Misa can muster, she makes a bolt for the cover of that second building, keeping her hands over her head and trying to keep her figure as small as possible as she makes for the opening in the window. ]